▶ TrainingGet Pro
All tools & lessonsAll toolsAllGet the appApp
Learning departments Music is open now – explore →

School Songs for Assemblies, Harvest, Christmas and KS2 Musicals

Works in the UK and the US. This version uses UK music words (bar, crotchet, stave); the US version uses measure, quarter note and staff. · US version of this page

Good school songs are short, repetitive and sit between middle C and the D above it, where most children’s voices are comfortable. Traditional songs and hymns whose writers died more than 70 years ago – such as “We Plough the Fields and Scatter” (1782), “Jingle Bells” (1857) and “Frère Jacques” – are in the public domain, so a school can sing and print them freely.

Updated 28 October 2026 · By the Classfern Music Department

Play the tune, then sing it

The tunes are played by your browser. This page never uses the microphone, and nothing is recorded, saved or sent.

Press Play next to a song to hear Classfern’s simple version of the melody and see the note names as it plays. Press it again to stop.

Everyday and assembly songs (all public domain)
SongWords and musicGood forTune
Frère Jacques (Are You Sleeping?)Traditional French roundA round in 2–4 groups; KS1 and up
Row, Row, Row Your BoatAmerican; words first printed 1852, tune published 1881Rounds and actions
Twinkle, Twinkle, Little StarWords Jane Taylor (1806); French melody (1761)First songs, evening and space topics
London Bridge Is Falling DownTraditional EnglishSinging games in a line
Amazing GraceWords John Newton (1779); American tune “New Britain” (1829)Reflective assemblies–
Michael, Row the Boat AshoreAfrican American spiritual (first written down 1860s)Call and response–
Shalom ChaverimTraditional Hebrew roundPeace and friendship themes–
Oranges and LemonsTraditional EnglishSinging game with an arch–
Harvest songs
SongWords and musicGood forTune
We Plough the Fields and ScatterWords Matthias Claudius (1782), English by Jane Montgomery Campbell (1861); tune J. A. P. Schulz (1800)The classic harvest hymn–
Come, Ye Thankful People, ComeWords Henry Alford (1844); tune “St George’s Windsor”, George J. Elvey (1858)Harvest festival–
All Things Bright and BeautifulWords Cecil Frances Alexander (1848); tune William Henry Monk (1887)Nature and thanks; see the note below–
Hot Cross BunsTraditional English street cryFood topics, first recorder or tuned percussion tune
Christmas music for KS1 and KS2
SongWords and musicGood forTune
Jingle BellsJames Lord Pierpont (1857)Upbeat opener; add sleigh bells
We Wish You a Merry ChristmasTraditional EnglishA cheerful finale
Away in a MangerWords anonymous (1885); tunes “Mueller” by James R. Murray (1887) or “Cradle Song” by William J. Kirkpatrick (1895)KS1 nativity; the UK usually sings “Cradle Song”–
Silent NightJoseph Mohr (words) and Franz Xaver Gruber (music), 1818; English words John Freeman Young (1859)Quiet candle-lit moment–
Deck the HallWelsh tune; English words Thomas Oliphant (1862)Fa-la-la for a big class–
O Christmas TreeGerman; words Ernst Anschütz (1824)Singing in German and English–
Good King WenceslasWords John Mason Neale (1853); tune from Piae Cantiones (1582)KS2 storytelling–
The Holly and the IvyTraditional EnglishOlder classes–
Up on the HousetopBenjamin Hanby (1864)Actions and fun–

What songs can we sing in a school assembly?

Mr Chopin leaning on the piano, ready to play for assembly

Choose short songs with repeated lines that everyone can learn quickly, in a range from middle C to the D above. Rounds such as “Frère Jacques” and traditional hymns work well for whole-school singing.

Plan one new song a fortnight and one the school already knows. Put the words on the screen in large print, sing each line for the children to echo, then sing it together. Use the 5-minute kids’ warm-up first.

What are good harvest songs for school?

“We Plough the Fields and Scatter”, “Come, Ye Thankful People, Come” and “All Things Bright and Beautiful” are the best-known harvest songs, and all three have public-domain words and tunes.

Copyright note: the popular “Royal Oak” tune for “All Things Bright and Beautiful” is a 17th-century folk melody, but Martin Shaw’s 1916 arrangement is still in copyright in the UK (he died in 1958). Sing the plain folk melody or W. H. Monk’s 1887 tune with your own accompaniment. Many modern harvest songs are in copyright, so we have left them out.

What Christmas music is good for KS2?

For KS2, “Jingle Bells”, “Deck the Hall”, “Good King Wenceslas” and “We Wish You a Merry Christmas” give a good mix of fast and slow; KS1 nativities often use “Away in a Manger”.

For a KS2 Christmas music lesson, try one song with a round or harmony part (“Frère Jacques” to new words works), one with percussion, and one quiet carol to practise dynamics.

What are fun Christmas and Easter music games for kids?

Miss Clara Schumann explaining the rules of a music game

Freeze games, rhythm echoes and “guess the tune” games teach listening, pulse and dynamics while feeling like a party.

Christmas

  • Freeze carols: play a tune; everyone moves and freezes when it stops (listening and pulse).
  • Sleigh-bell echoes: the teacher shakes a 4-beat rhythm, the class claps it back. Then pupils lead.
  • Guess the carol: play the first few notes with the Play button and stop it – who can name it?
  • Silent Night dynamics: sing a verse as quietly as possible, then the chorus of “Jingle Bells” loudly – practise piano and forte.
  • Pass the present: pass a wrapped box on the beat; whoever holds it when the music stops chooses the next song.

Easter

  • Hot cross buns rhythm: clap “hot cross buns” (ta ta ta-a) and “one a penny, two a penny” (ti-ti ti-ti ti-ti ti-ti).
  • Egg-shaker pass: pass an egg shaker round the circle exactly on the beat, getting faster.
  • Hunt the egg, loud and soft: hide an egg; the class sings louder as the seeker gets closer and softer as they move away.

Judged by a teacher or parent (rubric) Watch for three things: keeps the beat, copies the rhythm correctly, sings or plays at the right volume.

How do you put on a KS2 musical?

Pick a story the class knows, give everyone a part (narrators and a chorus mean nobody is left out), and allow about eight weeks of rehearsals. Published school musicals need a performance licence; a show you build yourself from folk tales and public-domain songs does not.

An 8-week rehearsal plan
WeekFocus
1Choose the story and songs; read through; hold auditions or share out parts.
2Learn the songs – two a week, chorus first.
3Block the scenes (who stands where); learn more songs.
4Lines learned by heart for scenes 1–2; add actions to songs.
5Whole run-through with scripts; make props and costumes.
6Run without scripts; add the narrator and sound effects.
7Dress rehearsal; practise bows and entrances.
8Performances – warm up first with the 5-minute kids’ routine.

Published musicals: shows from school publishers – including adaptations of Roald Dahl’s books – come with a script, songs and a licence you buy for your performances. We don’t reproduce them. Build your own: folk tales such as “Stone Soup”, “The Pied Piper of Hamelin” or “The Enormous Turnip” are traditional, and you can set new words to the public-domain tunes above. An Easter musical for KS2 can use “Hot Cross Buns”, spring rounds and a retold folk tale.

Because they are still in copyright. We only list songs that are traditional or whose writers died more than 70 years ago.

Left out on purpose: “Morning Has Broken” (words by Eleanor Farjeon, who died in 1965), “Lord of the Dance” (Sydney Carter, 1963), modern harvest songs, and pop and film songs. “Happy Birthday” is also left out for now. Your school may hold a licence that covers copyright songs in assemblies – check with your school office.

From the Music Department

Classfern’s free school songs list on lessonplanner.info was put together by the Classfern Music Department. Each song’s dates were checked; the melodies you can play are our own simple versions. To sing along with note names and a range check, open the singing play-along.

More singing tools